Krea2 · lora

Velnari, --preview, Kani2reR, , 1girl, solo, white hair, long hair, red eyes...

Civitai 上 Salmon_knight 的渲染

模型: artist style:void 0(Krea2)

提示词

Velnari, --preview, Kani2reR, , 1girl, solo, white hair, long hair, red eyes, expressionless, closed mouth, :|, dotted eyeliner, one eye covered, blunt bangs, sidelocks, blank stare, grey white sheet, draped cloth, covering face, head veil, covered mouth, white dress, frilled shirt, frilled collar, lace trim, white bow, white ribbon, puffy long sleeves, frilled sleeves, sleeves past wrists, hair ornament, hair flower, white flower, lily (flower), ring, jewelry, multiple rings, hand up, hand on chest, looking at viewer, upper body, straight-on, centered, simple background, grey background, monochrome, muted colors, pale color, flat lighting, low contrast, white theme, canvas texture,
A pale figure emerges from beneath a grey white sheet that runs past every edge of the frame, the cloth over her head holding the same value as the surface around her so that the picture and the fabric read as one continuous grey white field, with a single red eye and a ringed hand as the only things the covering fails to swallow.
Composition & Pose: Hold the framing at the chest and steady it dead center, straight on, so the sheet's upper rim crosses the frame roughly at the level of her temples. A soft ridge of cloth climbs in from the lower left corner and another from the lower right, both meeting across the front of her chest where her raised hand rests. Her head tips a little forward and to her right while her shoulders stay square, and the sheet lifts with that small tilt, rising into a low peak just above her brow. Her forearm folds inward across the drape so that the sleeve and the sheet overlap in two closely spaced layers, one slightly darker than the other. Everything else in the picture sits behind that fold, and depth here comes only from how much cloth lies between her and the surface.
Hair & Head Accessories: Long strands of snow white hair slide out from under the sheet's rim on both sides of her face and hang in straight pale ribbons down past her collarbones. Individual threads of hair cross the cloth in thin darker lines wherever they lie over a fold, and they vanish the moment they drift out onto the flat expanse beside her. A white lily and its companion buds sit near her left temple, tucked against the sheet rather than hooked into the hair, its petals sharing the same chalk tone as the cloth so that the blossom resolves into the fabric and only its shape separates it from the grey white around it. A pale ornament rests close to the flower, its form softened by the same low contrast.
Face & Expression: Her face is the highest value in the picture, an unbroken pale plane that the cloth frames on three sides, leaving only her right eye clear of the drape. That eye is a deep saturated red, wide and steady, with a wet pinpoint of light sitting on the pupil and a fringe of fine dark lashes above it. Directly below the eye, a row of small deliberate dots is placed along the lower lid line, each one distinct, and they read as the single piece of graphic precision in an otherwise soft picture. Her brows are so pale they all but disappear into the skin, and a faint warmth of blush sits high on her cheek where light lands unobstructed. Her mouth is closed and flat and mostly hidden under the sheet's edge, leaving no smile, no part, just a level line that the cloth cuts across.
Clothing & Details: Beneath the sheet she wears a white dress whose ruffled collar climbs all the way to her throat, layered in two tiers of gathered frills that push up between the drape and her chin. A broad white ribbon is tied at the center of that collar, its loop lying flat against the ruffle and its tails slipping down under the sheet so that only the knot stays visible. The sleeves are puffed and gathered down the arm into long cuffs trimmed with more frills, and those cuffs push past her wrists until the fabric bunches in small stacked folds. Lace edges show in thin lines at the collar and cuffs, fine and dry against the softer weave of everything else. The sheet itself is plain matte cotton with almost no sheen, its surface carrying shallow uneven undulations that throw faint grey shadows, and it descends heavily from the crown of her head past the base of the frame with the weight of something wide and unfitted rather than a tailored garment.
Props & Floating Elements: Her free hand curls into a loose half fist directly in front of her chest, held at the level of the ribbon knot. Two metal rings sit on the fingers of that hand, one plain band and one set with a darker stone, and both pick up small cold points of light along their rims while the cloth behind them stays matte and absorbs everything. The lily cluster above her left temple holds a faint green stem and a few opening buds that push out of the grey white, and a small pale ornament hangs just beside it, catching no highlight at all. Nothing drifts in the space around her.
Lighting & Color: The light arrives low and diffuse from the upper left, flat and cool, and it never develops a hard shadow anywhere in the frame. Her cheek and the upper plane of the sheet take the same even glow, and the folds answer with soft shadows that sit only one or two steps below the surrounding surface, so the cloth never darkens into a real tone of its own. Her red eye is the only saturated color in the picture, and it functions as a single cut in a field built entirely of white, grey white and pale grey. The rings supply the second and third tiny accents of contrast, and the lily's green stem supplies a third, so the whole palette is a chalk field pricked in four or five places. The overall cast is cool, quiet and washed out, with no warm source anywhere in it.
Background: The sheet passes the left edge, the right edge, the top edge and the bottom edge without any of them interrupting it, which leaves the picture with nothing to call a background in the usual sense. Behind her head the surface holds the same grey white value as the cloth itself, differing only by a slow shift of a few steps and a suggestion of a finer grain that reads as canvas tooth. That near identity of figure and ground is what dissolves her silhouette, so her outline disappears into the field wherever the cloth overlaps her body and only her face and her hand survive as clearly bounded shapes. There is no horizon, no object, no distant shape, and no break in the flatness beyond the shallow depth of the drape's own folds.
[SUBJECT] A pale girl with long snow white hair and one visible deep red eye stands wrapped in a wide grey white sheet that falls past the edges of the frame, the cloth covering her head and crossing her lower face so that only her eye, her cheek and her hand remain uncovered. Her hair slides out from under the rim in straight strands, and a white lily with opening buds sits near her left temple, sharing the same chalk tone as everything around it. Beneath the drape she wears a high ruffled collar with a broad white ribbon, puffed sleeves gathered into frilled cuffs that push past her wrists, and she holds one hand in a loose half fist at her chest with two metal rings on the fingers. Her mouth is closed and flattened under the fabric's edge, her brows are almost invisible, and a row of small deliberate dots is drawn under her eye.
[Master Description] A girl wrapped in a grey white sheet emerges out of the sheet's own color, and the picture sets her at the exact point where the covering stops separating her from the surface around her. The cloth runs across the head, drops past both shoulders and continues out of frame on every side without a single edge to mark where the subject ends and the ground begins, and behind her the flat grey white field carries a value so close to her own drape that her silhouette melts wherever the two overlap. Only three things defeat that merge. The first is her right eye, deep saturated red with a wet highlight on the pupil and a fringe of fine dark lashes, cut into a face whose brows are too pale to hold any line at all. The second is the row of small deliberate dots placed along her lower lid, the single stroke of graphic precision in an otherwise soft and diffused picture. The third is her raised hand with its two metal rings, one plain band and one with a darker stone, catching cold points of light against the matte cotton while the rest of the frame absorbs it. Long snow white strands slip from under the sheet's rim and hang in straight ribbons down past her collarbones, crossing the folds in thin darker lines before they dissolve into the flatness at the sides. Near her left temple a white lily with buds and a faint green stem is tucked against the cloth rather than into her hair, sharing the same chalk tone so closely that only the shape keeps it distinct, and below it a broad white ribbon lies flat on a two tiered ruffled collar, with puffed sleeves bunching into frilled cuffs past her wrists. The light comes low and diffuse from the upper left and never hardens into a real shadow, holding the entire frame in cool chalk values a step or two apart, so that the girl stays half sunk into the sheet she is wearing and the picture keeps her caught between rising out of it and disappearing back under it., 
<lora:画风类/velnari_fantasy_impressions_krea2:0.57> <lora:画风类/k2-void_0_c1-st4000:0.39> <lora:画风类/starshadowmagician_style_krea2_uma_v1_krea2_3335939_epoch_10:0.6> <lora:功能类/krea2filterbypass3:1.0> <lora:m87_lora_v1:0.5> <lora:reoen_krea2_v1:0.45> <lora:Krea_2_in_real_krea2_3320272_epoch_20:1.0>

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worst quality, low quality, score_1, score_2, score_3, blurry, jpeg artifacts, sepia

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cfg1
clip_skip1
samplerer_sde simple
seed450431994776286
steps12

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